I had the house to myself this evening so I put on the movie, A Beautiful Mind, and had a chance to enjoy it without interruption. For lack of a better classification, I’d have to call it a love story first and a journey of the imagination as a secondary plot line. I loved the way the music was matched to the expansion of realities as John Nash visited the mathematical universe along his accompanying breaks from it.I then put on my second choice, Bicentennial Man. The first thing I noticed as the movie went through the lead in footage showing the mechanical assembly line leading up to the completed android servants that would eventually be delivered to a waiting public; I noticed the music. In so many ways it was a carry over from the first movie, a magical combination of sounds that tempt the mind’s capacity, expand the boundaries of what is possible in order to achieve a level of acceptance with what is being presented. James Horner was credited for the music in each, I looked it up. I had to wonder; is that a form of plagiarism, to so closely match the compositions in two movies? I don’t mean that he stole something from another composer; but in the realm of copying one original work rather than start fresh; just a thought. In either case the music supplied a spatial environment conducive to enhancing the performances.
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